This four-day event celebrated the beauty and conservation legacy of Songs of the Humpback Whale on its fiftieth anniversary. After much COVID-related postponement, Lewandowski hosted the Whale Listening Project at Cornell in September. Siren explores humpback whale song in a true meeting of intelligences – humpback whale, human, and artificial – in collaboration with artist and coder Kyle McDonald and scenic designer Amy Rubin. In 2021, Senior Lecturer Annie Lewandowski premiered her multi-media project Siren – Listening to Another Species on Earth to audiences on Martha’s Vineyard, followed by installations at Cornell’s Johnson Museum of Art, the K Lisa Yang Center for Conservation Bioacoustics Gala, Invisible Dog Arts Center in Brooklyn, and, in early 2022, at MASS MoCA.
Upcoming projects include the editing of her second solo album, curating a performance for Liquid Music in Minneapolis, a residency with her NYC ensemble The Knights at the 92Y, and three on-campus collaborative recitals, one of which will feature a preview performance of a new piece she composed for violin and gayageum. Returning to Cornell in January of this year, Ariana has begun a new role as Director of Undergraduate Studies and is thrilled to be back with her brilliant students. She was also delighted to fall into a volunteer group who helped to lead weekly mountain hikes for people who are blind, co-fostered a Jindo puppy, and trad climbed more than 10,000 feet of fabulous granite.
#Thessa at master machine co series
Based at the National Gugak Center in Seoul, she took a deep dive into learning the gayageum, an ancient traditional Korean zither-style plucked harp. Ariana presented a series of solo and chamber music master classes at Seoul National University, performed as a guest artist at the Changwon International Music Festival outside of Busan, and was joined by pianist Hyojung Huh in two recitals at the National Praum Instrument Museum.
Violinist and Associate Professor Ariana Kim spent seven months on sabbatical studying, performing, and teaching in South Korea. He continues to co-edit the Journal of Musicology. He has been appointed co-editor of the Guillelmi de Conchis Opera omnia (Brepols) and has joined the editorial board of Music Theory Spectrum. Over the past year, he presented at the annual meetings of the Society for Music Theory and the American Musicological Society, and at an international symposium on "Musical Sources and Theories from Ancient Greece to the Ottoman Period," amid zooming around for other lectures and workshops (at Fordham and the Max Planck Institute, inter alia). He recently published chapters in Powers: A History (Oxford University Press, 2021), Brill's Companion to the Reception of Pythagoras and Pythagoreanism in the Middle Ages and the Renaissance (Brill, 2022), and Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe (a special issue of Glossator, 2022), and has chapters forthcoming in Bloomsbury's New Cultural History of Western Music and the Cambridge History of Rhetoric. Associate Professor Andrew Hicks has been appointed Director of Cornell's Medieval Studies Program and continues to serve as the House Professor and Dean of Hans Bethe House, a residential community in Cornell's West Campus.
0 kommentar(er)
